When developing your story, you’ll want your characters to face a number of challenges or conflicts. One of the most basic of them is man vs. man. In this conflict, the main characters find his goals jeopardized by another individual: a stormtrooper shooting at them, a Klingon arguing with them in a space station cantina, a lowly human turning our astronauts in to the sadistic ape overlords.
At its basest, man vs. man conflict is just two people taking on one another, with our hero usually winning. At its best, this conflict can symbolically test competing ideas and ethical solutions. A character represents one approach to a problem while the other represents an alternative path. All too often, these representations are reduced to simplistic views of good and evil. But by showing each characters’ motivations and needs, the story’s theme gains depth while the dramatic tension soars.
A good example of man vs. man conflict is “Star Trek II: The Wrath of Khan.” The story clearly revolves around two people: Khan and Admiral Kirk. The motivations of each are given: Khan wants revenge upon Kirk for marooning him on a planet that then underwent an ecological disaster and that killed his wife. Kirk feels a responsibility to protect the civilized world from Kahn, a disposed dictator and product of genetic engineering who he had defeated several years before. They play an extensive game of cat and mouse with one another in an effort to win. In the end, Kirk wins because his motivations are not based on revenge but doing what his right by others.
You Do It
Write a 250-word piece in which your main character, to achieve his goal, must overcome another character. Make clear that each has worthy motivations in wanting to defeat the other.
Visit my Web site about writing science fiction, Inventing Reality.
(c) 2008 Rob Bignell
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character, conflict, man vs. man, plot, villain
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When telling a story, you’ve got to have conflict in it. If there’s no conflict, you have a wooden story that starts nowhere, leads nowhere and ends nowhere. As E.M. Forster noted, “’The king died, then the queen died’ is a plot. ‘The king died, then the queen died of grief’ is a story.”
Forster’s quotation is apt because a good plot is about at least one character under adversity. Conflict typically arises from the characters’ perceptions, needs and wants. As each character has an urgent personal agenda, your plot really is a synthesis of its individual characters’ efforts to achieve their agendas.
Consider the “Star Trek: The Original Series” episode “Errand of Mercy,” in which we are introduced to the Klingons. The agenda of our hero, Captain Kirk, is to persuade the Organians to join the Federation so that the world may be used as a base of operations against the Klingons. The agenda of our villain, Klingon Commander Kor, is to occupy Organia so that the planet may be used as a base of operations against the Federation. The Organian Council of Elders’ goal is to stay neutral. As these conflicting agendas intersect, each character faces adversity. For Kirk, the Organians aren’t receptive to his idea, then finds himself in the middle of an occupation army and ultimately is captured by Kor. For Kor, an ammunition dump is blown up (by Kirk) and then the Organians are uncooperative when Kirk escapes his cell. For the Organians, they first feel the pressure of Kirk and Kor and then watch both sides become increasingly violent toward one another on their home turf.
There are five primary types of conflict that your characters can face:
n Man vs. nature - When the forces of nature, such as storms, deserts and volcanoes, that hinder a character from achieving his objective
n Man vs. man - When two individuals struggle against one another to achieve their objectives, such as Kirk and Kor
n Man vs. society - When a character or small group takes on the mores and values of their culture or its political institutions
n Man vs. God(s) - When an individual or a small group fight God or the gods
n Man vs. himself - When a character has an internal struggle because of conflicting desires, wants and needs
When developing conflict in your story, follow these guidelines:
n Maximize conflict by pit two forces against one another – This either can involve opposites facing off (as with Kirk and Kor) or involve an internal struggle.
n Every scene should present the main character with a problem - If this doesn’t happen, there probably isn’t much point to the scene.
n Conflict should allow the character an opportunity to change the course of events - Adversity alone rarely is enough to carry a story, though it may help create reader sympathy for your character
You Do It
Imagine that a character in your story discovers that some terrible fate awaits the Earth – and the time for humanity to prepare to confront it is running out. Your character must convince humanity that the threat is real. List several conflicts your character faces in achieving this goal. Try to come up with an example for each of the five primary types of conflict.
Visit my Web site about writing science fiction, Inventing Reality.
(c) 2008 Rob Bignell
Tags:
conflict, man vs. man, plot
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